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Carol Ann Duffy: my pick of British and Irish poetry

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A new anthology celebrates the music, accents and independence of poets since the earliest times

On a seventh-century night in Northumbria, the Venerable Bede tells us, a lay brother and cattle herder named Caedmon had an extraordinary experience. Caedmon was not a literate man, and when social gatherings turned to song he would make his excuses and leave. On this night, when the harp came to him, he rose to tend the cattle and fell asleep in the stable. He dreamed that a man appeared. “Caedmon,” said the man, “Sing me a song.” But Caedmon did not know what he could possibly sing. “Sing about the creation of all things,” said the man. And Caedmon did, singing lines that he had never heard before; lines of such beauty, says Bede, that they moved the hearts of many to heaven.

“Nu scylun hergan,” Caedmon began. “Now we must praise … ” And poets have praised ever since.

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