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The art of making a jihadist

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We know about jihadists’ dedication to violence, but that’s not the whole story, says expert Thomas Hegghammer. There’s a hidden culture of poetry, music and storytelling that sustains their ideology

When Jihadi John, the Islamist terrorist who gloried in decapitating hostages, was exposed as Mohammed Emwazi, a spokesman from Cage recalled the west Londoner bringing “posh baklava” to the advocacy group’s offices. He described the knife-wielding murderer and gloating torturer as “a beautiful young man… extremely kind, gentle and soft-spoken, the most humble young person I knew”.

One of the people who inspired Emwazi was Abu Musab al-Zarqawi, renowned for leading the group that beheaded and tortured many western hostages in Iraq, including the British engineer Kenneth Bigley. Zarqawi was known as the Sheikh of the Slaughterers, but he was also referred to as He Who Weeps A Lot, for his habit of crying during prayer.

Humour is unevenly distributed in the movement – a few can be funny, but the average level of self-irony is very low

The jihadists have rushed to embrace all forms of new media for its international propaganda capability

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