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Why the TS Eliot prize shortlist hails a return to the status quo

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This year’s lineup may be deserving, but with just one collection by a BAME poet in an exceptionally strong year for poets of colour, it also seems naive

Over the past few years, challenges to British poetry’s lack of diversity have made it impossible to return to the status quo – or so we thought. This year’s TS Eliot prize shortlist, announced on Thursday, features just one collection (out of 10, including Michael Symmons Roberts and Leontia Flynn) by a poet of colour, the much-acclaimed Night Sky with Exit Wounds byOcean Vuong. For those who have championed crucial interventions in poetry publishing, reviewing and prizes, this nearly all-white shortlist cannot help but seem inexplicably naive and regressive.

This year was an exceptionally strong year for British poets of colour, and you would have reasonably expected to see Kayo Chingonyi, Richard Georges, André Naffis-Sahely, Nick Makoha, Nuar Alsadir, or Elizabeth-Jane Burnett here, among several others.

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