Best known as the model for Millais’ much loved Ophelia painting, a new book hopes to foreground her own work as a poet
Her pale face floating amongst the reeds, Elizabeth Siddall is best remembered as the pre-Raphaelite muse depicted as Ophelia by John Everett Millais, and as the wife and muse of artist and poet Dante Gabriel Rossetti. But the 19th-century icon was a poet in her own right, and her haunting writing is set to be published for the first time in accord with her original manuscripts, more than 150 years after her death.
Siddall was “discovered” in 1849 while working in a milliners’ shop, aged around 20, by the artist Walter Deverell. Deverell introduced her to the pre-Raphaelite Brotherhood and she sat as a model for various members of the group, including Rossetti, whom she would later marry. She became an artist herself, with John Ruskin as her patron, but suffered from continuous ill health, enduring a still birth and a later miscarriage before taking an overdose of laudanum and dying at home in 1862. The grieving Rossetti buried many of his own unpublished poems along with her body, later exhuming her so he could recover them.
I care not for my Ladys soul
Though I worship before her smile
I care not wheres my Ladys goal
When her beauty shall [lose its wile]
