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Four Quartets review – TS Eliot's poems brilliantly danced

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Barbican, London
With unfussy, Cunningham-influenced movement alongside Kathleen Chalfont’s readings, Pam Tanowitz has distilled Eliot’s essence

Choreographer Pam Tanowitz has been quietly plying her trade in New York for more than two decades. She now arrives for the first time in London with Four Quartets, the first authorised dance version of TS Eliot’s 1943 work, with the poems read in full by the actor Kathleen Chalfant.

“Interesting” gets a bad rap as an adjective, but it’s no veiled slight to say Tanowitz’s choreography is truly that – brilliantly, intriguingly, compellingly so. She makes movement that is unfussy but full of detail, where you can never predict what happens next but when it does it makes perfect sense.

At the Barbican, London, until 25 May

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